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RISM Ireland

 

A ‘RISM Ireland’ working group has been set up in association with the SMI: see below for membership of the group and contact information.

The International Inventory of Musical Sources - Répertoire International des Sources Musicales (RISM) was established in 1952 by the International Musicological Society and International Association of Music Libraries. In thirty-five countries around the world, non-profit RISM groups work to locate and catalogue all surviving manuscripts, printed scores, writings on music theory and libretti. They transmit the results to the RISM Zentralredaktion in Frankfurt, which then edits and publishes the entries within the corresponding series. The resulting catalogues have become established as primary research tools for music, and are used worldwide by academics, students, performers and others to trace and identify music materials.

RISM Ireland is working to undertake the systematic cataloguing of musical sources in Ireland, both north and south. Religious and secular manuscript and printed music up to the twentieth century, music librettos and books about music are central to the project, as is the issuing of RISM sigla to previously unidentified music repositories. Sources may be either public or private but must be accessible to bona fide researchers: totally private repositories are therefore excluded from the project.



Ireland’s contribution to the RISM project has historically been linked with the work of RISM UK and prior to 2013, all Irish records were incorporated within the RISM UK's free-to-access website. In 2013, with the assistance and expertise of the RISM groups in Switzerland and the UK, RISM Ireland launched an Irish-focused free-to-access database of musical materials held in repositories throughout the island of Ireland: www.rism-ie.org

Researchers and other interested parties are invited to contact any member of the RISM Ireland Steering Committee with information they may possess regarding hitherto unidentified, uncatalogued or little-known music sources or any other repositories in Ireland. We also welcome any information regarding any completed or ongoing cataloguing or research projects.


RISM Ireland Steering Committee

Dr Ann Buckley (Trinity College Dublin): Hon. Treasurer

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Specialist field: Music to c.1600; iconography and organology

Dr Catherine Ferris (DIT Conservatory of Music and Drama): Database and Website Editor
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Specialist field: Music in nineteenth-century Dublin; music cataloguer

Dr Kerry Houston (DIT Conservatory of Music and Drama)
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Specialist field: Church music from c.1600

Dr John Howard (University College Dublin)
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Specialist field: Musical traditions of the Lutheran church; history of music theory; informatics/ digital humanities

Dr Una Hunt
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Specialist field: Eighteenth and nineteenth century music from Ireland; performance

Dr Sarah McCleave (Queen's University Belfast): Hon. Secretary
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Specialist field: Eighteenth-century secular music

Dr Maria McHale (DIT Conservatory of Music and Drama)
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Specialist field: Musical culture in late nineteenth- and early twentieth-century Britain and Ireland

Dr Karol Mullaney-Dignam (NUI Maynooth): Minutes Secretary
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Specialist field: Music in Irish country houses

Mr Bryan Quigley (Independent)
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Specialist field: Music cataloguer

Dr David J Rhodes (Waterford Institute of Technology): Chair
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Specialist field: Classical secular music

Dr Adrian Scahill (NUI Maynooth)
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Specialist field: Irish Traditional Music

Deirdre Wildy (Queen's University Belfast)

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Specialist field: Special collections & archives

 

Address for non-email written communications:

Dr David J Rhodes
RISM Ireland
Music Department
College Street Campus
Waterford Institute of Technology
Cork Road
Waterford, Rep. Ireland

 

 

 

 

 

 

RISM (Répertoire International des Sources Musicales) is the ‘International Inventory of Musical Resources’ – an international non-profit joint venture which aims at comprehensive documentation of existing musical sources worldwide.

The Central Editorial Office (RISM Zentralredaktion) in Frankfurt-am-Main, Germany, coordinates the contributions of the various RISM national working groups to the projects RISM Series A/I (printed music before 1800) and Series A/II (Music Manuscripts after 1600, with a cut-off point of c.1800-1850: this varies from country to country). It also prepares information for both series for publication and helps co-ordinate the publications of RISM Series B [specialist music collections] and C [directory of music research libraries].

For further details, see the RISM website: http://www.rism.info/