SMI Members’ Publications

Members' Publications

Monographs

2016
Graham, Stephen, Sounds of the Underground: A Cultural, Political, and Aesthetic Mapping of Underground and Fringe Music (Michigan: University of Michigan Press, 2016).

2015
Fitzgerald, Mark, The Life and Music of James Wilson, (Cork: Cork University Press, 2015).
Kulezic-Wilson, Danijela, The Musicality of Narrative Film, (Basingstoke: Palgrave Macmillan, 2015).

Edited volumes

2016
Byrne Bodley, Lorraine, and Julian Horton eds, Schubert’s Late Music: History, Theory, Style (Cambridge: Cambridge University Press, 2016).
Byrne Bodley, Lorraine, and Julian Horton eds, Rethinking Schubert (Oxford: Oxford University Press, 2016).
Greene, Liz, and Danijela Kulezic-Wilson eds, The Palgrave Handbook of Sound Design and Music in Screen Media: Integrated Soundtracks (Basingstoke: Palgrave Macmillan, 2016).
Joyce, Sandra, and Helen Lawlor eds, Harp Studies: Perspectives on the Irish Harp (Dublin: Four Courts Press, 2016).

Book chapters

2016
Fitzgerald, Mark, ‘Growth and Consolidation’ in Michael Dervan ed. The Invisible Art: A Century of Music in Ireland (Dublin: New Island, 2016), 123–46.
Klein, Axel, ‘No State for Music’ in Michael Dervan ed. The Invisible Art. A Century of Music in Ireland, 1916–2016 (Dublin: New Island Books, 2016), 46–68.
Kulezic-Wilson, Danijela, ‘Musically Conceived Sound Design, Musicalization of Speech and the Breakdown of Soundtrack Hierarchy’ in Liz Greene and Danijela Kulezic-Wilson eds, The Palgrave Handbook of Sound Design and Music in Screen Media: Integrated Soundtracks (Basingstoke: Palgrave Macmillan, 2016), 429–444.
Marx, Wolfgang, ‘Death and The Honour of Non-Existence’ in Salvador Ryan ed. Death and the Irish: a Miscellany (Dublin: Wordwell, 2016), 248–250.
Marx, Wolfgang, ‘From Numbers to Notes. Transcribing and Arranging Hanne Darboven’s Music / Von Zahlen zu Noten. Zur Übertragung und Bearbeitung von Hanne Darbovens Musik’ in Okwui Envezor and Rein Wolfs eds, Hanne Darboven. Aufklärung – Zeitgeschichten. Eine Retrospektive (Munich: Prestel, 2015), 194–201.
Campana, Alessandra, and Christopher Morris, ‘Puccini’s Things: Media and Materials in Il trittico’ in Arman Schwartz and Emanuele Senici eds, Puccini and His World (Princeton: Princeton University Press, 2016), 133–58.
O'Flynn, John, ‘Exploring "African" Music in Dublin: researching intercultural music practice’ in Pamela Burnard, Elizabeth Mackinlay and Kimberly Powell eds, The Routledge International Handbook of Intercultural Arts Research (London and New York: Routledge, 2016), 404–416.

2015
Boland, Majella, ‘Contrasts in John Field Reception: the Parisian Images’ in Massimiliano Sala ed. Piano Culture in Nineteenth Century Paris (Turnhout: Brepols, 2015), 359–384.
Kehoe, Joe, ‘Maestro, Magician, Midwife: Jean Martinon in Dublin’ in Una Hunt and Mary Pierse eds, France and Ireland: Notes and Narrative (Bern etc.: Peter Lang, 2015), 199–215.
Klein, Axel, ‘Gilbert Bécaud's L'Opéra d'Aran (1962) – A Rapprochement’ in Una Hunt and Mary Pierse eds, France and Ireland: Notes and Narrative (Bern etc.: Peter Lang, 2015), 79–90.
Morris, Christopher, ‘Die Operette und die Moderne’ in Bettina Brandl-Risi and Clemens Risi eds, Kunst der Oberfläche: Operette zwischen Bravour und Banalität (Berlin: Henschel Verlag, 2015), 173-7.

Journal Articles

2016
Boland, Majella, ‘John Field’ in Bruce Gustafson ed., Oxford Bibliographies in Music (New York: Oxford University Press, 2016), online.
Watson, Laura, ‘Epitaph for a Musician: Rhoda Coghill as Pianist, Composer and
 Poet’, Journal of the Society for Musicology in Ireland, 11 (2015–16), 3–23.

2015
Klein, Axel, ‘Selbstfindung durch Musik. Der irische Komponist Raymond Deane’ in: Neue Zeitschrift für Musik 176:4 (July 2015), 48–50.
Morris, Christopher, ‘The Mute Stones Sing: Rigoletto Live from Mantua’ in TDR: The Drama Review 59 (2015), 51–66.

Editions

2016
Fitzgerald, Mark, ed. The Songs of Frederick May (with accompanying CD), (Dublin: DIT Conservatory of Music and Drama, 2016), 126 pages.

Reviews

2016
Marx, Wolfgang, review article of ‘Daniel Martin Feige, Philosophie des Jazz’ in European Journal of Musicology, Vol. 15/1 (2016), 135–142.