SMI Members’ Research Outputs

Members' Research Outputs


Brüstle, Christa, and Danielle Sofer (eds.), Elizabeth Maconchy: Music as Impassioned Argument, Studien zur Wertungsforschung vol. 59 (Vienna - London - New York: universal edition 2018), 296 pages.
Byrne Bodley, Lorraine (ed.), Music Preferred. Essays in Musicology, Cultural History and Analysis (Vienna: Hollitzer Verlag, 2018), 784 pages.
Byrne Bodley, Lorraine, and Julian Horton (eds.), Rethinking Schubert (Oxford University Press, paperback edition 2018), 528 pages.
Ó Briain, Lonán, Musical Minorities: The Sounds of Hmong Ethnicity in Northern Vietnam (New York: Oxford University Press, 2018), 232 pages.
O'Regan, Susan, Music and Society in Cork 1700-1900 (Cork: Cork University Press, 2018), 256 pages.
Ní Shíocháin, Tríona, Singing Ideas: Performance, Politics and Oral Poetry (Oxford and New York: Berghahn Books, 2018), 214 pages.

McGrath, John, Samuel Beckett, Repetition and Modern Music (New York and London: Routledge, 2017), 178 pages.
Moskovitz, Marc D. and R. Larry Todd, Beethoven’s Cello: Five Revolutionary Sonatas and Their World (Woodbridge, The Boydell Press, 2017), 249 pages.
Todd, R. Larry, Discovering Music (New York: Oxford University Press, 2017), 611 pages.

Graham, Stephen, Sounds of the Underground: A Cultural, Political, and Aesthetic Mapping of Underground and Fringe Music (Michigan: University of Michigan Press, 2016).

Fitzgerald, Mark, The Life and Music of James Wilson, (Cork: Cork University Press, 2015).
Kulezic-Wilson, Danijela, The Musicality of Narrative Film, (Basingstoke: Palgrave Macmillan, 2015).

Edited volumes

Byrne Bodley, Lorraine, and Julian Horton eds, Schubert’s Late Music: History, Theory, Style (Cambridge: Cambridge University Press, 2016).
Byrne Bodley, Lorraine, and Julian Horton eds, Rethinking Schubert (Oxford: Oxford University Press, 2016).
Greene, Liz, and Danijela Kulezic-Wilson eds, The Palgrave Handbook of Sound Design and Music in Screen Media: Integrated Soundtracks (Basingstoke: Palgrave Macmillan, 2016).
Joyce, Sandra, and Helen Lawlor eds, Harp Studies: Perspectives on the Irish Harp (Dublin: Four Courts Press, 2016).

Book chapters

Bunzel, Anja, ‘Rezeptionsgeschichte ex nihilo: Johanna Kinkel als Balladenkomponistin’ in Sonja Häder and Ulrich Wiegmann eds, An der Seite berühmter Männer: Frauen zwischen Emanzipation und Tradition (Bad Heilbrunn: Klainckhardt, 2017), 19-32
Bunzel, Anja, 'Johanna Kinkel (1810–1858) within the Context of Nineteenth-Century Music Criticism’ in Teresa Cascudo García-Villaraco ed., Nineteenth-Century Music Criticism (Turnhout: Brepols, 2017), 421-448
Fitzgerald, Mark, ‘Faust in the Trenches’ in Lorraine Byrne Bodley ed. Music in Goethe's Faust: Goethe's Faust in Music, (Suffolk: Boydell, 2017), 230–241.
Kearney, Daithí, ‘Capturing the Moment and Replaying the Tape: Developing Technology-Enhanced Strategies for Student Learning and Engagement in Music Performance at Third Level’ in Moira Maguire, Nuala Harding, Gina Noonan and Tamara O’Connor eds Teachers as learners: exploring the impact of accredited professional development on learning and assessment in Irish Higher Education. (Dublin: AISHE, 2017), 48–57.
Kearney, Daithí, ‘Revisiting Samhain: Two Directions on a Theme’ in Conor Caldwell and Eamon Byers eds New Crops, Old Fields: (Re)imagining Irish Folklore (Peter Lang, 2016), 99–124.
Klein, Axel, ‘“All her lovely companions are faded and gone”. How ‘The Last Rose of Summer’ Became Europe's Favourite Irish Melody’, in Brian Caraher and Sarah McCleave eds., Thomas
Kulezic-Wilson, Danijela, 'Sound Design and Its Interactions with Music: Changing Historical Perspectives' in Miguel Mera, Ron Sadoff and Ben Winters eds, The Routledge Companion to Screen Music and Sound (New York: Routledge, 2017), 127-138
Moore and Romantic Inspiration
(London: Routledge, 2017), 128–145, with appendix, 231–253.
Stock, Jonathan P. J., ‘Foreword: Audiencing,’ in Ioannis Tsioulakis and Elina Hytonen-Ng eds, Musicians and Audiences: Performance, Speech and Mediation (Abingdon: Routledge, 2017), xii–xiv.

Fitzgerald, Mark, ‘Growth and Consolidation’ in Michael Dervan ed. The Invisible Art: A Century of Music in Ireland (Dublin: New Island, 2016), 123–46.
Klein, Axel, ‘No State for Music’ in Michael Dervan ed. The Invisible Art. A Century of Music in Ireland, 1916–2016 (Dublin: New Island Books, 2016), 46–68.
Kulezic-Wilson, Danijela, ‘Musically Conceived Sound Design, Musicalization of Speech and the Breakdown of Soundtrack Hierarchy’ in Liz Greene and Danijela Kulezic-Wilson eds, The Palgrave Handbook of Sound Design and Music in Screen Media: Integrated Soundtracks (Basingstoke: Palgrave Macmillan, 2016), 429–444.
Marx, Wolfgang, ‘Death and The Honour of Non-Existence’ in Salvador Ryan ed. Death and the Irish: a Miscellany (Dublin: Wordwell, 2016), 248–250.
Marx, Wolfgang, ‘From Numbers to Notes. Transcribing and Arranging Hanne Darboven’s Music / Von Zahlen zu Noten. Zur Übertragung und Bearbeitung von Hanne Darbovens Musik’ in Okwui Envezor and Rein Wolfs eds, Hanne Darboven. Aufklärung – Zeitgeschichten. Eine Retrospektive (Munich: Prestel, 2015), 194–201.
Campana, Alessandra, and Christopher Morris, ‘Puccini’s Things: Media and Materials in Il trittico’ in Arman Schwartz and Emanuele Senici eds, Puccini and His World (Princeton: Princeton University Press, 2016), 133–58.
O'Flynn, John, ‘Exploring "African" Music in Dublin: researching intercultural music practice’ in Pamela Burnard, Elizabeth Mackinlay and Kimberly Powell eds, The Routledge International Handbook of Intercultural Arts Research (London and New York: Routledge, 2016), 404–416.
Stock, Jonathan P. J., ‘Asia/China, Taiwan, Singapore, Overseas Chinese’ in Jeff Todd Titon ed, Worlds of Music: An Introduction to the Music of the World’s Peoples, Shorter version, 4th ed (Boston: Cengage Learning, 2016), 243–76 and online music tracks and student questions.
Stock, Jonathan P. J., ‘Introduction: Modalities of Music in “Minor Cinema”’ in Germán Gil Curiel ed, Film Music in ‘Minor’ National Cinemas (New York: Bloomsbury, 2016), 1–4.

Boland, Majella, ‘Contrasts in John Field Reception: the Parisian Images’ in Massimiliano Sala ed. Piano Culture in Nineteenth Century Paris (Turnhout: Brepols, 2015), 359–384.
Giraud, Eleanor, ‘The Dominican Scriptorium at St-Jacques, and its production of liturgical exemplars’, in Andreas Nievergelt et al. (eds.), Scriptorium: Wesen, Funktion, Eigenheiten (Munich: Bayerische Akademie der Wissenschaften, 2015), 247–258.
Kehoe, Joe, ‘Maestro, Magician, Midwife: Jean Martinon in Dublin’ in Una Hunt and Mary Pierse eds, France and Ireland: Notes and Narrative (Bern etc.: Peter Lang, 2015), 199–215.
Klein, Axel, ‘Gilbert Bécaud's L'Opéra d'Aran (1962) – A Rapprochement’ in Una Hunt and Mary Pierse eds, France and Ireland: Notes and Narrative (Bern etc.: Peter Lang, 2015), 79–90.
Morris, Christopher, ‘Die Operette und die Moderne’ in Bettina Brandl-Risi and Clemens Risi eds, Kunst der Oberfläche: Operette zwischen Bravour und Banalität (Berlin: Henschel Verlag, 2015), 173-7.
Stock, Jonathan P. J., ‘Asia/China, Taiwan, Singapore, Overseas Chinese’ in Jeff Todd Titon ed, Worlds of Music: An Introduction to the Music of the World’s Peoples, 6th ed (Boston: Cengage Learning, 2015), 385–440 and online music tracks and student questions.

Journal Articles

Dignam, Barbara Jillian, ‘Chasing Sonic Threads: Disentangling the Electroacoustic Tapestry of Ireland’, TEMPO 281/71 (2017), 5–26.
Giraud, Eleanor, ‘Melodic Lection Marks in Latin Manuscripts for Mass’, Scriptorium 71/1 (2017), 3–37.
Kearney, Daithí, ‘Reliving Island Life: Staging Stories of the Blasket Islands’, Estudios Irlandeses 12/2 (2017), 73–90.
Ó Briain, Lonán, ‘Introduction: Sounding and Silencing Ethnicity in the 21st Century’, The world of music (new series), 3/2 (2017), 7–17.
Uhde, Katharina, ‘Rediscovering Joseph Joachim's “Hungarian” and “Irish” [“Scottish”] fantasias’, The Musical Times 158/1941 (2017), 1–26.

Boland, Majella, ‘John Field’ in Bruce Gustafson ed., Oxford Bibliographies in Music (New York: Oxford University Press, 2016), online.
Klein, Axel with Jennifer Ward (RISM), 'An Evening of Irish Music: The Emerald Isle Comes to Germany' in: Fontes Artis Musicae 63/4 (Oct.–Dec. 2016), 277–284.
Ó Briain, Lonán, ‘Domesticated Noise: The Reformation of Musical Identity in Urban Vietnam’, Journal of Sonic Studies, 12 (2016).
Stock, Jonathan P. J., ‘Sounding the Bromance: The Chopstick Brothers’ “Little Apple” Music Video, Genre, Gender and the Search for Meaning in Chinese Popular Music’, Journal of World Popular Music 3/2 (2016), 167–96.
Watson, Laura, ‘Epitaph for a Musician: Rhoda Coghill as Pianist, Composer and Poet’, Journal of the Society for Musicology in Ireland, 11 (2015–16), 3–23.

Klein, Axel, ‘Selbstfindung durch Musik. Der irische Komponist Raymond Deane’ in: Neue Zeitschrift für Musik 176:4 (July 2015), 48–50.
Morris, Christopher, ‘The Mute Stones Sing: Rigoletto Live from Mantua’ in TDR: The Drama Review 59 (2015), 51–66.
Ó Briain, Lonán, ‘Beyond the Digital Diaspora: YouTube Methodologies, Online Networking, and the Hmong Music Festival’, Journal of World Popular Music, 2/2 (2015), 289–306.


Commins, Adéle and Daithí Kearney, A Louth Lilt: Original Compositions by Adèle Commins and Daithí Kearney (Dundalk: Dundalk Institute of Technology, 2017), 26 pages.

Fitzgerald, Mark, ed. The Songs of Frederick May (with accompanying CD), (Dublin: DIT Conservatory of Music and Drama, 2016), 126 pages.


Lonán Ó Briain, Review of Victoria Vorreiter, Hmong Songs of Memory: Traditional Secular and Sacred Hmong Music (Thailand: Resonance Press, 2016), 267 pages and 1 DVD, The Newsletter, International Institute for Asian Studies (2018)

Bunzel, Anja, Review of Annkatrin Babbe and Volker Timmermann eds, Musikerinnen und ihre Netzwerke im 19. Jahrhundert (Oldenburg: BIS, 2016), 263 pages, Die Tonkunst III/2017 (July 2017), 414-15
Kearney, Daithí, Review of Barbara O’Connor, The Irish Dancing: Cultural Politics and Identities, 1900–2000 (Cork: Cork University Press, 2013), Popular Music, 36/2 (2017), 334–335.
Kearney, Daithí, Review of Ireland: Crossroads of Art and Design, 1690–1840: The Music (Chicago: O’Brien International, 2016), Yearbook for Traditional Music, 48 (2016), 231–232.

Klein, Axel, review article of 'Andreas Pernpeintner, Aloys Georg Fleischmann (1880–1964). Musikalische Mikrogeschichte zwischen Deutschland und Irland in: Musik in Bayern. Jahrbuch der Gesellschaft für Bayerische Musikgeschichte, 79–80 (2014-15), Aug. 2016, 277–282.
Marx, Wolfgang, review article of ‘Daniel Martin Feige, Philosophie des Jazz’ in European Journal of Musicology, Vol. 15/1 (2016), 135–142.
Ó Briain, Lonán, Review of Sarah Turner, Christine Bonnin and Jean Michaud, Frontier Livelihoods: Hmong in the Sino-Vietnamese Borderlands (Seattle and London: University of Washington Press, 2015), South East Asia Research 24/3 (2016), 234 pages, 439–40.
Stock, Jonathan P. J., Review of Wilt Idema, The Metamorphosis of Tianxian pei: Local Opera Under the Revolution (1949-1956) (Hong Kong: Chinese University Press, 2015), x + 344 pages. Asian Ethnology 71/1 (2016), 240–41.
Stock, Jonathan P. J., Review of Wing Chun Ng, The Rise of Cantonese Opera (Urbana: University of Illinois Press, 2015), xx + 268 pages. China Review International 21/1 (2014 [2016]), 64–67.
Stock, Jonathan P. J., Review of Sound Futures: Sustaining Music, Engaging Communities [], Yearbook for Traditional Music, 48 (2016), 249–50.

Ó Briain, Lonán, Review of Haekyung Um, Korean Musical Drama: P’ansori and the Making of Tradition in Modernity (Farnham: Ashgate, 2013), 254 pages, Ethnomusicology Ireland, 3 (2015).

Creative Outputs

Adèle Commins and Daithí Kearney, A Louth Lilt (ACDK001, 2017), CD, 49’23”