Vol 15 (2020)

Published: 2020-03-23

Articles

Diatonic Illusions and Chromatic Waterwheels: Edward Elgar's Concept of Tonality

Oliver Chandler

3-29
- PDF
The 'Highest Dynamic Level Attainable Unvoiced’: György Ligeti, Language, and the Theatre of the Absurd

Dónal Mac Erlaine

45-66
- PDF
Inventing the Past, Reimagining the Future: Remembrance of Irish History in Aisteach

Timothy Diovanni

75-102
- PDF

Reviews

Mitchell Ohriner, Flow: The Rhythmic Voice in Rap Music (2019)

Alex de Lacey

31-35
- PDF
Nancy Hurrell, The Egan Irish Harps: Tradition, Patrons and Players (2019)

Helen Lawlor

37-40
- PDF
Joe Davies and James William Sobaskie (eds), Drama in the Music of Franz Schubert (2019)

Jennifer Ronyak

41-44
- PDF
Matthew Dubourg, Welcome Home, Mr Dubourg (2019)

Michael Lee

67-70
- PDF
Nicole Grimes, Brahms's Elegies: The Poetics of Loss in Nineteenth-Century German Culture (2019)

Benedict Taylor

71-74
- PDF
Ann Buckley (ed.), Music, Liturgy, and the Veneration of Saints of the Medieval Irish Church in a European Context (2017).

Anne Mannion

103-107
- PDF
Darragh Morgan & John Tilbury, Morton Feldman—For John Cage (Diatribe Records: 2020); Benjamin Dwyer, What is the Word, Diatribe Records (Diatribe Records: 2020); Lina Andonovska, A Way A Lone A Last (Diatribe Records:2020)

Timothy Diovanni

109-116
- PDF
Kerry Houston, Maria McHale, and Michael Murphy (eds), Irish Musical Studies 12: Documents of Irish Music History in the Long Nineteenth Century (2019)

Jennifer Oates

117-120
- PDF
John Buckley and John O’Flynn (eds), Ceol Phádraig: Music at St Patrick’s College Drumcondra 1875–2016 (2019)

Marie McCarthy

121-127
- PDF
Ruth Barton and Simon Trezise (eds), Music and Sound in Silent Film: From the Nickelodeon to The Artist (2019)

Laura Anderson

129-133
- PDF
Marianna Ritchey, Composing Capital: Classical Music in the Neoliberal Era (2019)

Wolfgang Marx

135-143
- PDF