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Vol 15 (2020)
Vol 15 (2020)
Published:
2020-03-23
Articles
Diatonic Illusions and Chromatic Waterwheels: Edward Elgar's Concept of Tonality
Oliver Chandler
3-29
PDF
The 'Highest Dynamic Level Attainable Unvoiced’: György Ligeti, Language, and the Theatre of the Absurd
Dónal Mac Erlaine
45-66
PDF
Inventing the Past, Reimagining the Future: Remembrance of Irish History in
Aisteach
Timothy Diovanni
75-102
PDF
Reviews
Mitchell Ohriner,
Flow: The Rhythmic Voice in Rap Music
(2019)
Alex de Lacey
31-35
PDF
Nancy Hurrell,
The Egan Irish Harps: Tradition, Patrons and Players
(2019)
Helen Lawlor
37-40
PDF
Joe Davies and James William Sobaskie (eds),
Drama in the Music of Franz Schubert
(2019)
Jennifer Ronyak
41-44
PDF
Matthew Dubourg,
Welcome Home, Mr Dubourg
(2019)
Michael Lee
67-70
PDF
Nicole Grimes,
Brahms's Elegies: The Poetics of Loss in Nineteenth-Century German Culture
(2019)
Benedict Taylor
71-74
PDF
Ann Buckley (ed.),
Music, Liturgy, and the Veneration of Saints of the Medieval Irish Church in a European Context
(2017).
Anne Mannion
103-107
PDF
Darragh Morgan & John Tilbury,
Morton Feldman—For John Cage
(Diatribe Records: 2020); Benjamin Dwyer,
What is the Word, Diatribe Records
(Diatribe Records: 2020); Lina Andonovska,
A Way A Lone A Last
(Diatribe Records:2020)
Timothy Diovanni
109-116
PDF
Kerry Houston, Maria McHale, and Michael Murphy (eds),
Irish Musical Studies 12: Documents of Irish Music History in the Long Nineteenth Century
(2019)
Jennifer Oates
117-120
PDF
John Buckley and John O’Flynn (eds),
Ceol Phádraig: Music at St Patrick’s College Drumcondra 1875–2016
(2019)
Marie McCarthy
121-127
PDF
Ruth Barton and Simon Trezise (eds),
Music and Sound in Silent Film: From the Nickelodeon to
The Artist (2019)
Laura Anderson
129-133
PDF
Marianna Ritchey,
Composing Capital: Classical Music in the Neoliberal Era
(2019)
Wolfgang Marx
135-143
PDF
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