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Vol 4 (2008-9)
Vol 4 (2008-9)
Published:
2008-12-30
Articles
Populism and Folklorism in Central European Music Pedagogy of the Nineteenth and Early Twentieth Centuries
Rhoda Dullea
35-53
PDF
Reviews
Steven Baur, Raymond Knapp and Jacqueline Warwick (eds),
Musicological Identities: Essays in Honor of Susan McClary
(2008)
Christopher Morris
55-65
PDF
Nicholas Cook,
The Schenker Project. Culture, Race, and Music Theory in Fin-de-siècle Vienna
(2007)
Antonio Cascelli
67-73
PDF
Matthew Gelbart,
The Invention of ‘Folk Music’ and ‘Art Music’. Emerging Categories from Ossian to Wagner
(2007)
Harry White
75-77
PDF
Kevin C. Karnes,
Music, Criticism, and the Challenge of History: Shaping Modern Musical Thought in Late Nineteenth-Century Vienna
(2008)
Nicole Grimes
79-83
PDF
Barbara M. Reul and Lorraine Byrne Bodley (eds),
The Unknown Schubert
(2008)
Anne Margaret Hyland
85-95
PDF
Robert Beale,
Charles Hallé: A Musical Life
(2007)
Fiona M. Palmer
97-100
PDF
Robert O. Gjerdingen,
Music in the Galant Style
(2007)
Martin Adams
101-105
PDF
Michael Murphy and Jan Smaczny (eds),
Music in Nineteenth-Century Ireland
(2007)
Christina Bashford
3-6
PDF
Pieter Dirksen,
Heinrich Scheidemann’s Keyboard Music: Transmission, Style and Chronology
(2007)
Paul Collins
7-10
PDF
Henry Burnett and Roy Nitzberg,
Composition, Chromaticism and the Developmental Process: A New Theory of Tonality
(2007)
Robert Wason
11-17
PDF
Linda Cummins,
Debussy and the Fragment
(2006)
Daniel Shanahan
19-21
PDF
Simon-Pierre Perret and Marie-Laure Ragot,
Paul Dukas
(2007)
Laura Watson
23-26
PDF
Fabian Holt,
Genre in Popular Music
(2007)
Wolfgang Marx
27-34
PDF
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